Readers immediately asked for a follow up to yesterday’s post on Bill & Ted’s Excellent Adventure. I’d planned on watching the sequel, anyway, so happily our purposes aligned.
This was only my third viewing of Bill & Ted’s Bogus Journey. My dad took me and a friend to see it in the theater back in 1991. Like most people, I forgot about the series for years.
Fast forward to 2003. I was enjoying an evening of video gaming at a buddy’s house when cravings for a late-night snack struck our host. He called Pizza Hut, who told him they were running a promotion that included a large pizza and his choice of back list DVD.
He chose wisely.
All that’s to say that the intervening seventeen years thoroughly cleansed my palette and prepared me to approach the movie with fresh eyes.
If you read my review of the first Bill & Ted movie, you know I regard it as an underappreciated if flawed gem. How does its controversial sequel hold up?
Short answer: even better.
My main problems with the first film mainly pertained to the craft level. Bogus Journey immediately fixes these issues by introducing a central antagonist who front-loads the conflict and lays out the initial stakes. Just as importantly, it improves upon its predecessor’s “and then” plotting with a story structure whose every transition can be described with “but” or “therefore”. That factor keeps the pacing tight.
There’s even a try-fail cycle that sees our heroes–and they are heroes in the classical sense–attempt to raise the hue and cry over their own murders.
But that’s getting ahead of the story.
Bogus Journey’s central premise is either its crown jewel or its worst failing, depending on who you ask. Viewers who liked the first movie primarily for its time travel plot and expected more of the same were disappointed. Fans of the series’ main characters who enjoyed watching them get mixed up in–and strive to extricate themselves from–zany capers well above their pay grade were in for a rare treat.
There are two ways to approach a sequel:
- Tell the first story over again.
- Take a risk.
- Excellent Adventure: Bill and Ted must travel through time so they can ace their history final exam and thereby preserve the future hippie utopia their music will inspire.
- Bogus Journey: Bill and Ted must defy Satan and challenge Death himself to save not just the future fruitopia, but the mothers of their future children and their own eternal souls.
But even this heroic virtue is a candle against the sun of our heroes’ moral worth.
Not only do Bill and Ted mirror their future brides’ chastity–their single lapse occurs when their ghosts playfully look down their former stepmother’s blouse–their stated intent from the beginning is to earn enough from their craft to provide for a family.
This goal is voiced at a point in the first act customarily reserved for the protagonist’s “I want” statement. This vital piece of dialogue establishes the hero’s motivation and the victory conditions he must attain against the villain’s opposition.
It’s significant that Bill and Ted’s “I want” statement includes earning enough to get married and raise children. The movie tells us in no uncertain terms that its heroes are motivated by masculine virtue.
That mustard seed of virtue, watered by our heroes’ own blood, grows throughout the film to delve deep roots and spread strong branches. If you think that’s hyperbole, consider:
Bill and Ted persevere in love of their fiancées despite vicious deceptions played by their wicked doppelgangers. Their first and only impulse is to pursue and reconcile with their beloveds.
This noble desire persists even in the face of severe obstacles, up to and including death. Our heroes never back down, not even when threatened with eternal damnation. Nor is their perseverance due to rashness. Bill and Ted may lack intellectual brilliance, but the stakes are clearly and repeatedly explained to them at every step, and they show that they understand.
Bill and Ted are not possessed of foolhardiness. Instead, they possess perfect mastery of the cardinal virtue of fortitude.
The laudable temperance and perfect courage the protagonists display suffice to qualify them as heroes. The movie could have stopped its two leads’ moral advancement there, with their future rule completely justified.
But once again, Bogus Journey refuses to be satisfied with temporal excellence and reaches for the brass ring of the transcendent.
In the course of their journey, Bill and Ted meet the Lord God Almighty.
And their first, natural impulse is to praise Him for the wondrous works He has made, delivered in a spirit of childlike joviality.
And their praise of God’s creation ascends to praise of the Creator for the sake of His own goodness and justice.
True, Bill and Ted sinned along the way, but for these offenses they make unreserved and honest confession.
Having reached their spiritual journey’s apex, Bill and Ted receive directly from God the theological virtues which build on their solid foundation of natural virtue. Their courage, temperance, and justice are perfected with faith, hope, and charity.
As such, they receive God’s blessing and assistance in fulfilling their calling.
Brief but related aside: Many commenters, even those who like the movie, point to main antagonist Chuck De Nomolos as a weak villain.
They view the movie through a Modernist lens, because in setting their villain against heroes confirmed in transcendent virtue, they magnify his evil.
De Nomolos wants order. He is dissatisfied with the future utopia sustained by Bill and Ted’s music and is convinced he can do better. Yet he has no evidence that a society based on his ideas would be superior. He is gambling that his intelligence can make a better world than one with no poverty or war. His hubris would be enough to establish him as a villain.
The fact that he is defying the Mandate of Heaven which Bill and Ted have received makes De Nomolos ungodly over and above prideful. He schemes in violation of the Third Beatitude. God wills that the supremely meek Bill and Ted shall govern the earth. In attempting to thwart their kingship, De Nomolos sets himself against God’s plan.
To traditionalists who object that the movie unfairly demonizes a law and order leader intent on reforming a culture of day-glo hippies, I counter that De Nomolos is in rebellion against divine right kings–a grave sin that he’d best amend unless he thinks he can beat Death at Battleship.
To rein in the gushing for a moment, I will admit that while Bogus Journey is in some ways a transcendent film, it’s not a perfect film. The dialogue is rife with inside jokes that the writers took way too far, e.g. the obnoxious repetition of “station”. Similar self-indulgence is on display in the chant Missy uses to exorcise Bill and Ted’s ghosts: “Ed and Chris will rule the world” spoken backwards.
As mentioned above, the sophomoric sins committed by our otherwise pure heroes strike an unnecessarily dissonant note. They just plain feel out of character.
Nevertheless, Bill and Ted’s Bogus Journey remains a master class in how to make a sequel. Take a risk. Raise the stakes. Make it personal. Expand the conflict’s moral dimension, not just its physical scope.
And as always, don’t give money to people who hate you.
My experience seeing it was the same as yours. I saw it as a child in the theater and then again when it was offered via Pizza Hut. I lost that copy long ago, though.
As for the breasts joke, how it should have gone was in a similar direction as the first movie when Ted was teasing Bill over inviting her to prom. "Hey, I can see your mom's breasts, Ted." "Shut up, Bill!" That is more in spirit with the original.
You've said everything else. The film does everything a sequel should do. It's better written, it's funnier, the direction is more inventive, and it even manages to conclude the story in a very satisfying manner.
So you can imagine my shock when I got older and learned that it was reviled. I'm not sure I can saw it's because people just wanted more of the same because Ghostbusters II came out around the same time and that was hated, too. It might be a case of an audience not really knowing what it wants in a sequel. Comedy sequels are even harder to get right.
That said, I've always really liked this one, and I'm glad to see that time has been kind to it. I don't see so much negativity towards it these days.
I'm also good with it being the ending. A third movie just doesn't seem necessary. A Point & Click video game by Sierra would have been fun, but that's okay. It had it's moment to shine.
It didn't too terribly and is remembered well. It just didn't do as well as the first one. This isn't shocking, since it's wildly different.
I actually got the reviews wrong – I was looking at Face the Music's Rotten Tomatoes score (which, considering when it's come out, can be ignored as irrelevant).
This movie seems to not be as well-liked by fans or critics. With that said, it really didn't do too terribly and the Youtube critic community has been kind to it.
Most people who are satisfied with a movie, book, game, etc. enjoy it and move on. Most people who leave reviews are deeply invested in a work one way or the other. A good number of those suffer from a gluttony of delicacy whereby they want to be told exactly the same story over and over and react strongly against any variation.
I noticed something about the villain's name. It seems that it is the name of Solomon spelt backwards. Did anyone else notice this also?
Usually, Devil worshipers say or spell something backwards to insult God or receive some supposed "power" in doing it. At least that is what I've read about long ago. So did anyone else notice this? Many thanks in advance.
It's screenwriter Ed Solomon's name spelled backwards. That was one of the self-indulgent inside jokes I forgot to mention. Since they pulled the same stunt in the seance scene, and given the movie's rock & roll theme, it's almost certainly a deliberate play on the urban legend of backwards satanic messages in hair metal records.
That’s one heck of a glowing review. I’m sorry I missed this one after seeing the first. Also surprised to hear how counter-Hollywood it was even for the gentler time of 1991.
Now if I could rent it for less that $10…
From what I heard, the Bill & Ted franchise is on of those mid-market properties that bounced around between production companies during the spate of small studio closings and mergers of the early 90s. To the company that bought the rights, Bogus Journey was basically just an entry on an asset sheet, so the studio pretty much let the writers do what they wanted.
Even for those of us who found the first movie more fun than the second, there's no denying the ending hit a home run that was both a worthy and satisfying end to the franchise. Part 3 simply wasn't necessary.
Excellent Adventure is definitely more lighthearted in tone and aimed at a younger audience.
That's another reason why Bogus Journey is brilliant from a writing standpoint. The writers correctly anticipated how the outlook of the 80s kids changed as the age of hair metal gave way to the grunge era. The sequel's darker mood and weightier themes met the audience where they were.